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  • Pakaging Design: Equator
    Photoshop renders for Equator's global website.
    1438,958
    Not For Sale
  • Pakaging Design: Equator
    1439,959
    Not For Sale
  • Pakaging Design: Equator
    1439,959
    Not For Sale
  • Pakaging Design: Equator
    1439,959
    Not For Sale
  • Pakaging Design: Equator
    Photoshop renders for Equator's global website.
    1438,958
    Not For Sale
  • Pakaging Design: Equator
    1439,959
    Not For Sale
  • Pakaging Design: Equator
    1439,959
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
  • Client: Bosch
    Problem: One can photograph existing boxes which have been printed, but printed dots on paper don't photograph well, and are problematic to retouch.

    Solution: The client provided me with the flat art for the packaging in the form of a pdf.  I created the 3 dimensional box at appropriate dimensions. Then skinned it with the art, added shine, textures, lighting and reflections, and created the background, simulating the look of a dramatic studio shot.
    1438,958
    Not For Sale
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